62 - Embouchure Reminder
Hoofdstuk 62 - Paragraaf 11
62. Embouchure Reminder

62.11 Literatuurlijst


1. Chesky K, Devroop K, Ford III J. Medical problems of brass instrumentalists: prevalence rates for trumpet, trombone, French horn, and low brass. Med Probl Perform Art. 2002;17:93-8.

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3. Wilktone. [Internet].; 2015 []. Available from: http://www.wilktone.com/?p=12.

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6. Spahn C, Richter B, Altenmüller E, editors. MusikerMedizin, Diagnostik, Therapie und Prävention von musikerspezifischen Erkrankungen. Stuttgart: Schattauer; 2011.

7. Woldendorp KH, Lemstra M, Boschma H, Boonstra AM, Reneman MF. The role of embouchure-related body structures in brass playing. The amazing world of Embouchure, Breathsupport and Singing; facts and myths. 2-11-2013; Beetsterzwaag. Revalidatie Friesland; 2013.

8. Woldendorp KH, Lemstra M, Boschma H, Boonstra AM, Reneman MF. Discussion towards a consented definition of Embouchure and Enbouchure. The amazing world of embouchure, breathsupport and singing; facts and myths. 2-11-2013; Beetsterzwaag. Beetsterzwaag: Revalidatie Friesland; 2013.

9. Porter MM. The embouchure and dental hazards of wind instrumentalist. Proceedings of the Royal Society of Medicine. 1973;66(11):1075-8.

10. Papsin BC, Maaske LA, McGrail JS. Orbicularis oris muscle injury in brass players. The Laryngoscope. 1996;106(6):757-60.

11. Frucht SJ. Embouchure dystonia- portrait of a task specific cranial dystonia. Movement disorders : official journal of the Movement Disorder Society. 2009;24(12):1752-62.

12. Satoh M, Narita M, Tomimoto H. Three cases of facial embouchure dystonia: classifications and succesfull therapy using a dental splint. European neurology. 2011;66(2):85-90.

13. Yoshikawa S. Acoustical behaviour of brass player's lips. J Acoust Soc Am. 1995;97:1929-39.

14. Boschma H. Introduction, Embouchure definition. The amazing world of Embouchure, Breathsupport and Singing; facts and myths. ; 2-11-2013; Beesterzwaag. Beetsterzwaag: Revalidatie Friesland; 2013.

15. Bate P. Acoustics. In: The trumpet and the trombone, an outline of their history, development and construction. Second edition ed. New York - London: Ernest Benn and W.W.Norton; 1978. p. 1-39.

16. Benade AH. The Brass wind instruments. In: Benade V, editor. Fundamentals of Musical Acoustics. second, revised. ed. New York: DoverPublications; 1990. p. 391-429.

17. Msallam R, Dequidt S, Caussé R, Tassart S. Physical model of the trombone including non linear effects, application to the sound hypothesis of lud tones. Acoustica. 2000;86:725-36.

18. Boschma H. Leren spelen op koperen blaasinstrumenten. Leeuwarden, the Netherlands: De Tille BV; 1977.

19. Farkas P. The art of brass playing: a treatise on the formation and use of the brass player's embouchure. Atlanta, Georgia.: Wind Music/TAP Publications; 1962.

20. Gilbert J. Sound Mechanismss of brass instruments, last twenty years results. www researchgate net/publication/255025901_Sound_mechanisms_of_brass_instruments [Internet]:feb 10,2015.

21. Reeve M. The functions of the larynx. [Internet]:10 march 2014.

22. Benade AH. Fundamentals of Musical Acoustics: Second, Revised Edition ed. Dover: Dover Publications; 2012.

23. Ford III J. A scientific characterization of trumput mouthpiece forces in the context of pedagogical brass literature. 2007.
24. Schwab B, Schultze-Florey A. INvestigations into intraoral pressure in woodwind and brass musicians. Musikphysiologie und Musikermedizin. 2004;11(4):183-94.

25. Newton M, Gilbert J, Campbell M. Mechanical response measurements of real and artificial brass player's lips. J of the Acoustical Society of America. 2008;123(1):14-20.

26. Embouchure reminder no.3, comments from David Wilken. [Internet]. [updated 4-4-2015; cited 2013]. Available from: http://www.embouchure.nl/?section=read&hoofdstuk=62¶graaf=7.

27. Borchers L, Gebert M, Jung T. Measurement of tooth displacements and mouthpiece forces during brass instrument playing. Med Eng Phys. 1995;17(8):567-70.

28. Stevenson S, Campbell M, Bromage S, Gilbert J. Motion of the lips of brass palyers during extremely loud playing. J Acoust Soc Am. 2009;125(EL 152).

29. Chen FC, Weinreich G. Nature of the lip reed. J Acoust Soc Am. 1996;99:1227-33.

30. Boutin H, Smith J, Fletcher N, Wolfe J. Relationships between pressure, flow, lip motion, and upstream and downstream impedances for the trombone. J Acoust Soc America. 2015;137:1195-209.

31. Wolfe J, Garnier M, Smith J. Vocal tract resonances in speech, singing, and playing musical instruments. HFSP Journal. 2009;3(1):6-23.

32. Farkas P. A photographic study of forty virtuoso horn players embouchure. Bloomington, Indiana.: Wind Music, Inc.; 1970.

33. Lip vibration of trombone embouchures, Leno [Internet].; 1980's [updated 2015; ]. Available from: http://www.wilktone.com/?p=12.

34. Bertsch M, Hoole P. Tonguing on brass instruments - Highspeed visualization and benchmarks of fastest tempi. July 7-12, 2014; Le Mans, France. International Symposium on Musical Acoustics; 2014.

35. Rosset i Llobet J. How to play brass; facts and myths. 2nd nov.2013; nternational Educational Project on Embouchure, Breath Support and Singing, Beetsterzwaag, the Netherlands. ; 2013.

36. De Vet HCW, Terwee CB, Mokkink LB, Knol DL. Measurement in medicine. 3rd ed. New York: Cambridge University Press; 2014.

37. Strayer ER. Musical instruments as a aid in the treatment of muscle defectsand perversions. Angel Orthodontists. 1939;9(2):18-27.

38. The International Classification of Functioning, Disability and Health. World Health Organization Expert Committee; 2008.

62.11 Literatuurlijst